重厚感ある備前焼 人間国宝が作った手りゅう弾
- 2015/7/20 6:00
30 August 2015
idea: bizen bomb
http://www.nikkei.com/article/DGXMZO89388140W5A710C1000000/
重厚感ある備前焼 人間国宝が作った手りゅう弾
重厚感ある備前焼 人間国宝が作った手りゅう弾
26 August 2015
reading
最近在看 barbara hepworth, tony cragg
'damage control', art and destruction , 1951 onwards
gail nichols , soda, clay and fire
25 August 2015
think 思考的重點
今天重新看了soda, clay, fire
想到前男的創作路線，是用有機幾何的組合，創作出Ｘ的形態
我再想
我應該修正我的創作，直接去思考，放在柴燒環境裡面，怎麼樣可以作出最大限的作品。因為壓力，溫度，黑煙，落灰。
也包括製作的體力，耐心，運送，保存，跟不知道什麼時候才會拿去燒，有沒有錢燒？土夠不夠
想到前男的創作路線，是用有機幾何的組合，創作出Ｘ的形態
我再想
我應該修正我的創作，直接去思考，放在柴燒環境裡面，怎麼樣可以作出最大限的作品。因為壓力，溫度，黑煙，落灰。
也包括製作的體力，耐心，運送，保存，跟不知道什麼時候才會拿去燒，有沒有錢燒？土夠不夠
24 August 2015
think 價值觀
暑假快結束了，今年好好的上了課，現在在期待結果。
想記一下的是，
想到前男跟我完全不同的價值觀。可能在日本吧，很重視所謂的專職，所以一個專職陶藝家，就是不斷參加競賽，駐村，賣作品，包括雕塑和生活器皿。
可是我大概在2004前後，因為過了一段自給自足的生活，加上我相信藝術是life style 的表現，所以這陣子越來越多的前男帶給我的衝突和矛盾，讓我很難過。我覺的作作品就是照自己的生活步調去做，加上氣喘，不得不讓我每週至少休息一兩天，然後晚飯後盡量不去碰。
或許，我就是不努力。
想記一下的是，
想到前男跟我完全不同的價值觀。可能在日本吧，很重視所謂的專職，所以一個專職陶藝家，就是不斷參加競賽，駐村，賣作品，包括雕塑和生活器皿。
可是我大概在2004前後，因為過了一段自給自足的生活，加上我相信藝術是life style 的表現，所以這陣子越來越多的前男帶給我的衝突和矛盾，讓我很難過。我覺的作作品就是照自己的生活步調去做，加上氣喘，不得不讓我每週至少休息一兩天，然後晚飯後盡量不去碰。
或許，我就是不努力。
21 August 2015
19 August 2015
17 August 2015
angry cloud
title: Angry Cloud
date:
size: 20x10x3cm
technical note: Wood fired, Hidasuki.
A bit upset about everything happened recently, the money, the team, the connection ... ...
14 August 2015
13 August 2015
07 August 2015
miniature bonsai pots collection of my works
Miniature bonsai pots collection of my works
link to flickr photo albums, full works
https://www.flickr.com/photos/paco2046/sets/72157650552283649
review: client relationship
Most of my works are made for commission, although not for strong tided-up contracts.
I have learned a lot and got special knowledge from them, on Bonsai knowledge and their business skill. Each of them have different requirement and aesthetics. The most unhappy thing tho is their paid too little and even like to cut the payment, and I have no way to resolve this problems. I have try 'cost down' and do in a quick manner to reduce the labour I input, but it just not works.
Except the commission from Bonsai dealers, I also have some commissions from tea shop and one antique shop friend for tea wares. Same from above, upon the discussion with them, I can learn new knowledge and business skill. Sometimes feedbacks from their customers will pass to me as well, so I can know exactly what people think when use my work on a daily base.
I hope I can have more reasonable payment from them, but I need to keep up with the quantity and 'cost down', that is difficult for me.
The finance of my work: the cost for wood firing and other firing in sum would be covered from the commission. For example, if I fire 20 pieces, I will sell 10 for the commission. It just generates about the amount for the total cost of firing. The other 10 pieces are reserved for myself. This would be seen as my own 'salary'.
I have learned a lot and got special knowledge from them, on Bonsai knowledge and their business skill. Each of them have different requirement and aesthetics. The most unhappy thing tho is their paid too little and even like to cut the payment, and I have no way to resolve this problems. I have try 'cost down' and do in a quick manner to reduce the labour I input, but it just not works.
Except the commission from Bonsai dealers, I also have some commissions from tea shop and one antique shop friend for tea wares. Same from above, upon the discussion with them, I can learn new knowledge and business skill. Sometimes feedbacks from their customers will pass to me as well, so I can know exactly what people think when use my work on a daily base.
I hope I can have more reasonable payment from them, but I need to keep up with the quantity and 'cost down', that is difficult for me.
The finance of my work: the cost for wood firing and other firing in sum would be covered from the commission. For example, if I fire 20 pieces, I will sell 10 for the commission. It just generates about the amount for the total cost of firing. The other 10 pieces are reserved for myself. This would be seen as my own 'salary'.
06 August 2015
my works leaded by Bizen pottery techniques
Outside link to my photo album, where show my works which is leaded by Bizen pottery techniques.
https://www.flickr.com/photos/paco2046/sets/72157656898812241
https://www.flickr.com/photos/paco2046/sets/72157656898812241
review 上半年檢討
上半年檢討
1. 賣花盆，算是很努力了，2015.01-06
可是覺得命題不對，柴燒＋花盆，加上被殺價，不是很想作，結果越做越差 ><
2. 除了花盆，只有心華來找我有賣出，其他東西基本沒売
3. 燒窯多很多次，多謝柚子和曾老師，江，應該要對他們好一點。花費因為跟賣花盆有打平，所以好像沒有特別覺的花到錢燒窯，最多是亞太2000那次後來1500 。反而原本社大這邊沒燒什麼大碗650。
4. 不知道為什麼到陶博館柴燒那邊會是亞太，就會有情緒。
5. 因為沒有生產細項，有一點慘，下次是十月柴燒，柚子那邊不知道會不會有。
6. 答應solo的小杯子單子沒作。
7. 答應自己要作創作，有作，燒的量不多。而且也是一直拖單子。
8. 答應自己有去上雕塑課，考慮的烤研究所，應該不會去烤吧？
9. 新釉，銅紅釉
1. 賣花盆，算是很努力了，2015.01-06
可是覺得命題不對，柴燒＋花盆，加上被殺價，不是很想作，結果越做越差 ><
2. 除了花盆，只有心華來找我有賣出，其他東西基本沒売
3. 燒窯多很多次，多謝柚子和曾老師，江，應該要對他們好一點。花費因為跟賣花盆有打平，所以好像沒有特別覺的花到錢燒窯，最多是亞太2000那次後來1500 。反而原本社大這邊沒燒什麼大碗650。
4. 不知道為什麼到陶博館柴燒那邊會是亞太，就會有情緒。
5. 因為沒有生產細項，有一點慘，下次是十月柴燒，柚子那邊不知道會不會有。
6. 答應solo的小杯子單子沒作。
7. 答應自己要作創作，有作，燒的量不多。而且也是一直拖單子。
8. 答應自己有去上雕塑課，考慮的烤研究所，應該不會去烤吧？
9. 新釉，銅紅釉
04 August 2015
geometry studies
title: geometry studies
size:
date:
technical note: wood fired, electric kiln fired, unfired, glazed,
Trying installation, see as two dimension work.
03 August 2015
The Cloud Project
title: the cloud project
size:
statement:
technical note:
gas kiln fire 1300c RF, no glazed, rice husk ash mixed clay, apply pastry methods
Subscribe to:
Posts (Atom)
